Chapter 2
The arrival of Lawrence Kasdan as
screenwriter for Raiders
of the Lost Ark completed the core creative
team behind the film. Well, almost; Tom Selleck
had yet to be cast as Indiana Smith',
soon to become Jones. Kasdan finessed the ideas
that Lucas and Spielberg presented to him. Until
his involvement Raiders existed only as
various action set pieces, a story concept (the
search for the Ark of the Covenant) a rough idea
of who the villains were (Nazis) and the three
main characters (Indy, Marion, Belloq). Finally,
Lucas wanted the hero to be an archaeology professor,
adventurer, and playboy.
Kasdan's first big contribution
was to trim these three separate sides of Indy's
character down to two. Indy the college lecturer
is to Indy the adventurer what Clark Kent is to
Superman. Having a third side to his character
would be unnecessary and confusing; it would be
like Superman having two secret identities. But
Lucas was keen on Indy the playboy - wish
fulfillment for him, perhaps? He made Kasdan write
a version of the scene where Marcus Brody comes
to Indy's house and finds Indy, in a tuxedo,
entertaining a glamorous blonde. The scene was
never shot, although Indy gets to wear a tuxedo
in Temple of Doom. In fact, the final version
of Indiana Jones in the films becomes a wry would-be
playboy - he's never quite as successful
with women as he'd like to be.
Kasdan took the material generated
from the 1978 story conferences between himself,
Lucas and Spielberg, and began to create the plot
that would become Raiders. He brought more influences
to the project. Whereas Raiders had begun as a
homage to Saturday matinee serials, it became
more influenced by the great comedy-adventure
films of the Forties and Fifties, such as Too
Hot To Handle, starring Clark Gable, The
Crimson Pirate, with Burt Lancaster, and,
well, anything with Errol Flynn in it. For the
scenes between Indy and Marion, Kasdan took as
his model the quick fire repartee between male
and female protagonists in the films of Howard
Hawks, such as His Girl
Friday, or John Huston's The
African Queen (which would be a major influence
on Chris Columbus's discarded Indy 3 script...
of which more in a couple of weeks!).
Raiders'
Flying Wing
concept sketch. |
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By his third draft of Raiders
of the Lost Ark, dated August 1979, the
script is on it's way to becoming the film
we know - only more so; it reads like two
films, containing action sequences that were later
to appear in Temple of
Doom. The film's structure is similar
to the final version, except that in between Marshall
College and Nepal Indy stops off at Shanghai.
It's a familiar, yet strange, parallel universe
version of Raiders, where lines from one character
are assigned to another, characters have different
names, and the finale is the opening of the Ark.
. .followed by a mine car chase? And at this point
Raiders encounters the last of its cinematic influences
- the Spielberg disaster 1941.
The third draft of Raiders, if filmed in its entirety,
would have been three hours long and doubled the
cost of the production. But no studio would ever
have allowed it to go over budget, given that
1941, Spielberg's
previous film, was an expensive commercial (and
critical) flop. As Spielberg says in an interview
on the recently released box set of the trilogy,
he was slashing set pieces' everywhere
in an attempt to keep the budget down. It's
lucky for the film that he had to do this, because
it led to a far leaner and meaner structure, and
a better film. Spielberg and Lucas got so much
into the habit of cutting things that the famous
Indy-shoots-Cairo-Swordsman gag was improvised
partly to save two days of location shooting while
Lucas broke two engines off the production model
of the Flying Wing - saving $250,000 dollars!
The original model, and production drawings all
show it with four. And for the Tanis digs, Spielberg
wanted 2,000 extras. He got 400.
It's fun to see how the third
(1979) draft of Raiders of the Lost Ark
differs from the final version. It begins like
the film we know, in South America, only our first
sight of Indy is rather strange - he wears
a weird feather' in his hat. We discover
that around it's point is rolled his half
of the parchment map of the Chachapoyan Temple's
floor plan. Barranca still tries to kill Indy,
but instead of just taking the gun from his hand
using the whip, Indy first makes him discharge
it in the dirt - using the whip - then
somehow spins Barranca around so that the gun
is against his body and giving one more
short jerk on the whip', makes the gun fire
into Barranca, killing him. Wow. The rest of the
sequence proceeds as in the film, except that
the Temple of the Chachapoyan Warriors contains
an extra obstacle - a chamber where the ceiling
is triggered to collapse by vines used as tripwires.
Previous victims lie one on top of another,
all squashed flat as cardboard'. Indy advises
Satipo laconically Try not to touch the
vines'.
Back at the university, there are
two small but significant differences between
the draft scene and the one in the movie. The
telegram about Tanis is still there, but as well
as mentioning Abner Ravenwood the cable also mentions
General Tengtu Hok, Shanghai', in connection
with the Headpiece to the Staff of Ra. The Headpiece,
in this draft, is in two pieces; Abner (or Marion)
has one half, the General has the other. Thus
the plot in this draft branches off into a Shanghai
episode, which would later reappear, in a different
form, in Temple of Doom. The scene with
the Army intelligence men also gives us a further
chilling motive for Hitler's interest in
the Ark; Indy says It's said that the
Lost Ark will be recovered at the time of the
coming of the True Messiah'.
Indy hightails it to Shanghai to
extract the Headpiece segment from General Hok,
a Chinese warlord aligned with the Japanese. With
the help of two CIA agents Indy breaks into Hok's
private palace, where he is attacked by a couple
of Samurai warriors. At the same time Hok is taking
tea with three Germans. Indy kills the two samurai
(throttling one of them with his whip!) and steals
the Headpiece half from a glass display case in
Hok's private museum, but Hok and the German's
hear the fight and come running. The scene ends
much as the Shanghai nightclub scene in Temple
of Doom ended, with Indy escaping behind a
giant rolling gong while Hok fires crazily at
him with a sub-machine gun (we later hear from
Belloq that the General had a copy of the Headpiece
half, which he gives to the Nazis). Indy then
flies to Nepal, with a trenchcoated European
spy' in tow, but in a Hitchcockian touch
all the other [passengers on the plane, including
a little old lady, parachute off, (while Indy
is asleep) leaving him in the crashing plane.
Needless to say he wakes up and uses a life raft
to. . .you get the picture. Except this time the
life raft slides to a halt, not in India, but
just outside the front door of the Raven bar!
The scene in the Raven bar between
Indy and Marion is different in this draft to
the actual film, but not because it was rewritten
- it was filmed but much of it was cut. Whatever
Lucasfilm does
to mark the twentieth anniversary of Raiders we'll
be certain to see it next year, either as part
of a special edition theatrical release, dvd,
video, or most likely all three. In the cut scene
Marion explains that after Abner died she went
to work in the Raven, and I wasn't
the bartender'. Then the owner of the bar
went crazy and as he was dragged away screaming
said that the place was all hers for life. As
Marion says, Can you imagine a more evil
curse?'. While it may have slowed down the
pace of the action, George Lucas is known to like
this scene, and to favor restoring it to the original.
We'll see.
Toht during Raven bar
fight storyboard sketch. |
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The next significant difference
between the draft script and Raiders comes in
the Well of Souls, although before this there
are several smaller changes. Toht is called Belzig
and has a bright light shining out of his right
eye socket instead of an eye; this original idea
got as far as the storyboard stage before being
dropped, perhaps for being a little too far-fetched.
Belloq is called Emile, rather than Renee. And
Sallah is a small man'! As Indy and
Sallah work on extracting the Ark from the stone
chest Sallah reaches out to touch the Ark, but
Indy cries Don't touch it! Never touch
it!' He is recalling the words of the old
scholar who translated the Headpiece markings,
that to touch the Ark or look into it means death.
In the completed film Indy and Sallah never touch
the Ark, but carry it gingerly on poles. Meanwhile
the scenes between Belloq and Marion demonstrate
a real attraction between them. Marion is not
just playing along' in the hope of
escaping. The comedy' business with
the wine bottle, knife and coat hanger were all
added later, on set, by Spielberg. The remainder
of the draft continues as in the film, except
that the truck chase has yet to feature Indy being
dragged underneath it - he simple gets onto
the truck, drives the Nazis off the road, and
escapes.
The scene between Indy and Marion
on the Bantu Wind is more serious, sexy and mature
than the one in the final cut. But then, Indy
wasn't dragged under the truck in this draft,
and is therefore in better shape for seducing
Marion. The stuff with the mirror in Raiders is
all Spielberg. As everyone knows, Indy lashes
himself to the u-boat periscope and hitches a
lift to the Nazi secret base. This scene is another
candidate for a Raiders special edition, although
it's possible that not all of it was filmed.
The climax of the draft is very
different from the final film. The spectacular
supernatural climax we know evolved out of hints
in the script, and the input of many people, including
ILM staff. The draft betrays its origins
by setting the climax in a very James Bondian
location. The submarine pen leads to another vast
underground cavern a mine, munitions store and
command center. Here the Ark is opened within
a white silk tent, described as the Tabernacle'.
There is no walk through the island, and no altar.
Indy still grabs a bazooka from a munitions store
and levels it at the Ark, but rather than losing
an argument with Belloq, he is wrestled to the
ground by three Nazis, and taken outside to be
executed. The three Nazis include a character
called Shliemann, later to become Dietrich in
the film. Before they can kill him Belloq opens
the Ark and meets God: If a death's-head
can smile and look satisfied that is how Belloq's
incandescent face would be described. . .this
event is accompanied by a sound like no other.
A sound so intense and so odd and so haunting
that the suggestible among us might imagine it
were the whisper of God'. As climactic as
it sounds, this is not the end of the film. The
remainder of the draft is probably the weirdest
part for a fan of the finished film to read. In
the chaos Indy escapes, rescues Marion, and then
they get the Ark into a mine car, before heading
off, pursued by two cars full of Thugees. . .err,
two cars full of Nazis. Meanwhile the Nazi caverns
catch fire, eventually being destroyed when the
munitions dump explodes. A huge ball of flame
races up the tunnel behind the Nazis, incinerating
them. Indy and Marion fly straight out of the
mine opening, down a slope, and crash into a Nazi
launch disguised as Greek fishing boat (!) while
the Nazi command center and half the island explodes
behind them. . .and our heroes sail away. As improbable
as all this sounds, it does at least answer the
question of how the hell Indy and Marion got off
the island with the Ark. However, it is not difficult
to see why it was cut; it removes the focus of
the climax from the Ark, and would have been hugely
expensive to film. And in the end this chase and
the destruction of the Nazi's island base
(which is highly reminiscent of the climax to
Dr. No), is more James Bond than Indiana
Jones.
Raiders of the Lost Ark survived
the Budget-Restrictions of Doom, turning them
to it's own advantage. However, in his next
adventure, Indiana Jones would face even deadlier
enemies - accusations of gratuitous violence
and cultural imperialism. Will Indy survive? How
can he defend himself? And what is the Secret
of the Bullwhip? Find out in the next gripping
installment of Raiders of the Lost Drafts!!
Continue
to Chapter 3 >> |